Two Coffees and a Credit Check
[Intro — brushed drums, piano, muted trumpet]
[Verse 1]
I wore the good jacket, checked my balance twice,
Found a place with the prices in plain black and white.
She read through the menu like a broker at close,
Then winked as she pointed right under my nose.
“I think I’ll have lobster.” I said, “That sounds nice.”
We both saw the warning: market price.
[Spoken word, no melody]
Market price, sir.
The market has been… unkind.
[Pre-Chorus]
I offered her moonlight, she ordered Château,
The waiter said, “Sir, shall I refinance you now?”
I nodded politely, suppressing a wreck,
And prayed my old Visa would survive the check.
[Chorus]
Two coffees and a credit check,
A little romance, a little debt.
My heart’s approved, my card’s declined;
You’re out of my bracket, but still on my mind.
Love may be blind, but the landlord is not,
And roses cost twenty-five bucks on this block.
So give me your hand and your FICO, dear—
We’ll fall into love by the end of the year.
[Verse 2]
She said, “Money means nothing; I look for the heart,”
Then asked if my four-oh-one-kay did its part.
I told her, “My darling, I write and I sing.”
She said, “That is lovely—but what does it bring?”
[Pre-Chorus]
I whispered, “Forever.” She whispered, “What score?”
“Are you pre-approved, or emotionally poor?”
I said, “I’ve got feelings, sincere and intense.”
She said, “They are lovely. Do they cover the rent?”
[Short Chorus]
Two coffees and a credit check,
A little romance, a little debt.
My heart’s approved, my card’s declined;
You’re out of my bracket, but still on my mind.
[Bridge — still swinging]
Our second date happened with friends in a pack:
Six people, two muffins, twelve Venmos to track.
Then we walked through the park where the moonlight was free—
She brought her own coffee, and one cup for me.
[Bridge — ballad tempo, bass and brushes]
She said, “I checked your credit.”
I said, “Darling, that’s quite bold.”
She said, “Your score is nothing special,
But neither am I sold
On men with perfect numbers
And nothing underneath.
You missed a couple payments—
At least you kept your teeth.”
Then she slipped her arm through mine:
“You’re risky, but you’re kind.”
And no one’s read me that close
In all my borrowed time.
[Verse 3 — swing returns]
No oysters, no valet, no vintage Bordeaux,
Two paper cups warming our hands in the snow.
Not a waiter for miles, not a bill to inspect—
Just the moon overhead, and it never collects.
I said, “I’m not cheap, dear—that’s not the right name.
I’m liquid-constrained.” She said, “Sounds like the same.”
[Spoken word, no melody]
There’s a difference.
She leaned in beside me, deadpan and precise,
Like a maître d’ announcing the catch and its price.
[Spoken word, no melody]
She said, “Sir… the moon is market price.”
…I’ll take it.
[Final Chorus — key change, full band]
Two coffees and a credit check,
A little romance, a little debt.
My heart’s approved, my card’s declined;
You’re out of my bracket, but still on my mind.
Love may be blind, but the landlord is not,
And roses cost twenty-five bucks on this block.
So here’s to the cheapest good night I’ve had yet:
Two coffees, one kiss—and no interest yet.
[Outro — band stops dead]
Third date?
…Let me check the futures.
[Three brass hits. Out.]
Romance, subjected to a credit check.
A sincere but financially endangered suitor takes a woman to dinner, where lobster comes at “market price” and the wine list looks like a refinancing offer. Every gesture has a fee, every compliment seems to require collateral, and his card is doing considerably worse than his heart.
But the song eventually leaves the restaurant for two paper coffees on a park bench. There, someone finally evaluates him using the only underwriting model that matters:
“You’re risky, but you’re kind.”
The moon, fortunately, never collects.
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